Youth Music Theatre UK
Continuing our Audition Tips series, hear from Musical Director, Pianist and Vocal Coach, Gemma Hawkins! She'll be on the panel for the audition workshops (21 Jan - 19 Feb) and has some great advise for all of you coming through this year.
1. Be Yourself - don’t try to be a different person. Everybody has different strengths and weaknesses; that’s what makes music theatre so interesting!
2. The panel are on your side! We’ll want everyone to do their best and show us what they have to offer.
3. Nerves can strangely be a very good thing! They’re a sign that you want to do well, and the adrenaline sometimes helps you produce things you didn’t know you were capable of.
4. Stay hydrated; it will help your energy and concentration. Sip water for a few hours before your audition and keep topping up through the session. Bananas are also a good source for energy and good for calming the nerves.
Gemma Hawkins was the Assistant Musical Director for the Disney / Cameron Mackintosh 2015-17 tour of Mary Poppins, and before that the Barnum UK Tour starring Brian Conley. She graduated from the Royal Academy of Music’s Musical Direction course, having studied oboe and piano accompaniment at the Guildhall School of Music and Drama. Credits as MD include The Snowman (UK Tour), Great Expectations (YMT), The Last 5 Years (Barbican, London), Pippin (BRIT School), Side By Side By Sondheim (Edinburgh Fringe) and the Fingask Follies.
Gemma has worked frequently in several of the UK’s leading performing arts schools including the Guildhall, Royal Academy of Music, Urdang Academy and BRIT School, where she has musically directed and arranged for many projects and showcases.
Step forward onto the stage and kick-start your career in performing arts with YMT. Auditions are booking now, from Sat 21 Jan - Sun 19 Feb 2017, touring 24 cities from Inverness to Plymouth and London to Dublin and Belfast, and everywhere in-between. Take a look at the full list of dates and times here.
This July the thumping sound of Drum ‘n’ Bass cascades down the corridors of Dunsinane. An ominous beat reverberates through the dank fog of YMT's dystopian reimagining of Shakespeare's perennial horror story Macbeth. The talented YMT cast bring a new twisted take on the things that could conceivably go bump in the night.
As the host of ghosts, witches, cybergoths and neon-clad ravers waltz towards us through the apocalyptic murk this summer, YMT takes a retrospective on past attempts to set The Bard to music. The triumphs and the tragedies!
West Side Story (Romeo & Juliet)
Director Jerome Robbins transported Shakespeare’s iconic romance, Romeo and Juliet, to the boroughs of 1960s New York, where the streetlight crossed lovers were reborn. Replacing swords with scissor kicks and punches with pliés this vibrant adaptation remains exhilarating and poignant today.
Fun Fact: In the film adaptation of the musical Elvis Presley was approached to play the lead role of Tony, but Col. Tom Parker turned the studio down. If Elvis had done the movie, he'd have ended up playing opposite real-life ex-girlfriend Natalie Wood.
The Lion King (Hamlet)
If Hamlet were equipped with claws and a skull-crushing jaw strength, would he have been less indecisive about killing (or even eating) his traitorous uncle? According to The Lion King: apparently not.
Disney’s winning formula:
• Substitute the poison with a stampede of wildebeest.
• Switch the ghost with a talkative cumulous cloud.
• Finally provide the play’s royal family with some extra fur, a tail and some pleasant baritones.
Fun Fact: A wildlife expert brought a lion, a baboon and some vultures to the film studio so the animators could study certain behaviours. For example, in the movie, Rafiki carries a staff, so the animators had the real baboon carry a long stick around so they could sketch him in different poses.
Kiss Me Kate (The Taming of the Shrew)
Kiss Me Kate tells the story of a theatre troupe’s haphazard attempt to stage a musical version of The Taming of the Shrew. As life begins to imitate art the ensemble unravels into a farcical explosion of metathetrical romance and murderous mobsters.
Near the dénouement the theatrical thugs who endanger the production find themselves trapped onstage. With nowhere to run they are forced to improvise a tribute to Shakespeare in which they explain that understanding The Bard is the key to romance, "Brush Up Your Shakespeare".
Fun Fact: The 1953 screenplay adaptation of the musical was originally filmed in 3D, which is why the actors often throw things (including themselves) at the audience.
It seems YMT’s Macbeth is in fine company! If you think The Bard could use a dose of dance or a medicinal jab of music then come join us at The Lyric Theatre Belfast this July!
Wednesday 23 July 2014 - 7:30pm to Tuesday 26 August 2014 - 7:30pm
BONUS: Not a musical but 10 Things I Hate About You, the high school bound adaptation of The Taming of the Shrew, is home to a short light-footed performance definitely worth sharing